Faina Zuyeva

Designed by Jeff Levine, Formal Invite JNL is a display serif font family. This typeface has two styles and was published by Jeff Levine Fonts . Download Now Server 1 Download Now Server 2 Download Now Server 3 The thin, condensed serif lettering found in a 1937 magazine ad for Chris Craft boats inspired Formal Invite JNL , which is available in both regular and oblique versions. Formal Invite JNL Formal Invite JNL

Designed by Jeff Levine, Boss Jock JNL is a novelty font family. This typeface has two styles and was published by Jeff Levine Fonts . Download Now Server 1 Download Now Server 2 Download Now Server 3 The title and credits from the 1965 film “Strange Bedfellows” were hand lettered in a style typical of the early-to-mid 1960s – casual and playful.  This brought to mind similar type designs used by many radio stations when advertising their disc jockeys as cool, hip and fashionable in the slang term of the day “boss” jocks. Boss Jock JNL is available in both regular and oblique versions. Boss Jock JNL Boss Jock JNL

Designed by Giuseppe Salerno, Notes is a hand drawn and script font family. This typeface has four styles and was published by Resistenza.es . Download Now Server 1 Download Now Server 2 Download Now Server 3 Notes Notes

Designed by Jeff Levine, Afterword JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts . Download Now Server 1 Download Now Server 2 Download Now Server 3 At the end of the 1931 gangster film “The Public Enemy” a hand lettered card offers up an afterword on the demise of Tom Powers (James Cagney’s character in the film) and how a “public enemy” is neither a man nor a character but a problem society must deal with. The text is in an Art-Deco influenced sans serif, and has been digitally recreated as Afterword JNL , which is available in both regular and oblique versions. Afterword JNL Afterword JNL

Designed by Jeff Levine, Formal Invite JNL is a display serif font family. This typeface has two styles and was published by Jeff Levine Fonts . Download Now Server 1 Download Now Server 2 Download Now Server 3 The thin, condensed serif lettering found in a 1937 magazine ad for Chris Craft boats inspired Formal Invite JNL , which is available in both regular and oblique versions. Formal Invite JNL Formal Invite JNL

Designed by Jeff Levine, Boss Jock JNL is a novelty font family. This typeface has two styles and was published by Jeff Levine Fonts . Download Now Server 1 Download Now Server 2 Download Now Server 3 The title and credits from the 1965 film “Strange Bedfellows” were hand lettered in a style typical of the early-to-mid 1960s – casual and playful.  This brought to mind similar type designs used by many radio stations when advertising their disc jockeys as cool, hip and fashionable in the slang term of the day “boss” jocks. Boss Jock JNL is available in both regular and oblique versions. Boss Jock JNL Boss Jock JNL

Designed by Giuseppe Salerno, Notes is a hand drawn and script font family. This typeface has four styles and was published by Resistenza.es . Download Now Server 1 Download Now Server 2 Download Now Server 3 Notes Notes

Designed by Jeff Levine, Afterword JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts . Download Now Server 1 Download Now Server 2 Download Now Server 3 At the end of the 1931 gangster film “The Public Enemy” a hand lettered card offers up an afterword on the demise of Tom Powers (James Cagney’s character in the film) and how a “public enemy” is neither a man nor a character but a problem society must deal with. The text is in an Art-Deco influenced sans serif, and has been digitally recreated as Afterword JNL , which is available in both regular and oblique versions. Afterword JNL Afterword JNL

Designed by Jeff Levine, Formal Invite JNL is a display serif font family. This typeface has two styles and was published by Jeff Levine Fonts . Download Now Server 1 Download Now Server 2 Download Now Server 3 The thin, condensed serif lettering found in a 1937 magazine ad for Chris Craft boats inspired Formal Invite JNL , which is available in both regular and oblique versions. Formal Invite JNL Formal Invite JNL

Designed by Jeff Levine, Boss Jock JNL is a novelty font family. This typeface has two styles and was published by Jeff Levine Fonts . Download Now Server 1 Download Now Server 2 Download Now Server 3 The title and credits from the 1965 film “Strange Bedfellows” were hand lettered in a style typical of the early-to-mid 1960s – casual and playful.  This brought to mind similar type designs used by many radio stations when advertising their disc jockeys as cool, hip and fashionable in the slang term of the day “boss” jocks. Boss Jock JNL is available in both regular and oblique versions. Boss Jock JNL Boss Jock JNL

Designed by Giuseppe Salerno, Notes is a hand drawn and script font family. This typeface has four styles and was published by Resistenza.es . Download Now Server 1 Download Now Server 2 Download Now Server 3 Notes Notes

Designed by Jeff Levine, Afterword JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts . Download Now Server 1 Download Now Server 2 Download Now Server 3 At the end of the 1931 gangster film “The Public Enemy” a hand lettered card offers up an afterword on the demise of Tom Powers (James Cagney’s character in the film) and how a “public enemy” is neither a man nor a character but a problem society must deal with. The text is in an Art-Deco influenced sans serif, and has been digitally recreated as Afterword JNL , which is available in both regular and oblique versions. Afterword JNL Afterword JNL

Designed by Jeff Levine, Afterword JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts . Download Now Server 1 Download Now Server 2 Download Now Server 3 At the end of the 1931 gangster film “The Public Enemy” a hand lettered card offers up an afterword on the demise of Tom Powers (James Cagney’s character in the film) and how a “public enemy” is neither a man nor a character but a problem society must deal with. The text is in an Art-Deco influenced sans serif, and has been digitally recreated as Afterword JNL , which is available in both regular and oblique versions. Afterword JNL Afterword JNL

Designed by Ricardo Marcin and Erica Jung, Conversa is a hand display font family. This typeface has two styles and was published by PintassilgoPrints . Download Now Server 1 Download Now Server 2 Download Now Server 3 A laid-back family, Conversa fonts are available in two weights, both all-caps with alternate glyphs on lowercase slots. Choose your preferred alternates by hand or simply turn on the Open Type contextual alternates feature to make them automatically cycle. There are some ornaments too, for a little twist here and there. Conversa is a new take on ‘Outside In’ font, which is part of the ‘Outside’ font duo. Give it a try, easygoing-ness guaranteed! Conversa Conversa

Designed by Hans Heitmann, Legit Didone is a serif font family. This typeface has ten styles and was published by Finaltype . Download Now Server 1 Download Now Server 2 Download Now Server 3 Legit Didone is a didone typeface that features both optimal readability in small sizes as well as elegant aesthetics in display use. The standout feature of our Legit superfamily is its innovative uniwidth system: all weights and styles are 100% compatible in width and remain swappable without altering the layout. The typeface comes with a set of ligatures and stylistic alternates as well as strong and clear accents to support more than 36 languages. Legit Didone Legit Didone

Designed by Jeff Levine, Afterword JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts . Download Now Server 1 Download Now Server 2 Download Now Server 3 At the end of the 1931 gangster film “The Public Enemy” a hand lettered card offers up an afterword on the demise of Tom Powers (James Cagney’s character in the film) and how a “public enemy” is neither a man nor a character but a problem society must deal with. The text is in an Art-Deco influenced sans serif, and has been digitally recreated as Afterword JNL , which is available in both regular and oblique versions. Afterword JNL Afterword JNL

Designed by Ricardo Marcin and Erica Jung, Conversa is a hand display font family. This typeface has two styles and was published by PintassilgoPrints . Download Now Server 1 Download Now Server 2 Download Now Server 3 A laid-back family, Conversa fonts are available in two weights, both all-caps with alternate glyphs on lowercase slots. Choose your preferred alternates by hand or simply turn on the Open Type contextual alternates feature to make them automatically cycle. There are some ornaments too, for a little twist here and there. Conversa is a new take on ‘Outside In’ font, which is part of the ‘Outside’ font duo. Give it a try, easygoing-ness guaranteed! Conversa Conversa

Designed by Hans Heitmann, Legit Didone is a serif font family. This typeface has ten styles and was published by Finaltype . Download Now Server 1 Download Now Server 2 Download Now Server 3 Legit Didone is a didone typeface that features both optimal readability in small sizes as well as elegant aesthetics in display use. The standout feature of our Legit superfamily is its innovative uniwidth system: all weights and styles are 100% compatible in width and remain swappable without altering the layout. The typeface comes with a set of ligatures and stylistic alternates as well as strong and clear accents to support more than 36 languages. Legit Didone Legit Didone

Designed by Ricardo Marcin and Erica Jung, Conversa is a hand display font family. This typeface has two styles and was published by PintassilgoPrints . Download Now Server 1 Download Now Server 2 Download Now Server 3 A laid-back family, Conversa fonts are available in two weights, both all-caps with alternate glyphs on lowercase slots. Choose your preferred alternates by hand or simply turn on the Open Type contextual alternates feature to make them automatically cycle. There are some ornaments too, for a little twist here and there. Conversa is a new take on ‘Outside In’ font, which is part of the ‘Outside’ font duo. Give it a try, easygoing-ness guaranteed! Conversa Conversa

Designed by Hans Heitmann, Legit Didone is a serif font family. This typeface has ten styles and was published by Finaltype . Download Now Server 1 Download Now Server 2 Download Now Server 3 Legit Didone is a didone typeface that features both optimal readability in small sizes as well as elegant aesthetics in display use. The standout feature of our Legit superfamily is its innovative uniwidth system: all weights and styles are 100% compatible in width and remain swappable without altering the layout. The typeface comes with a set of ligatures and stylistic alternates as well as strong and clear accents to support more than 36 languages. Legit Didone Legit Didone

Designed by Pablo Balcells, Tuerca is a display sans font family. This typeface has eight styles and was published by Graviton . Download Now Server 1 Download Now Server 2 Download Now Server 3 Tuerca font family has been designed for Graviton Font Foundry by Pablo Balcells in 2021. It is a slightly extended sans serif typeface with a strong technical appearence. Its squared, angular shapes provide a futuristic and robust aesthetics. It has been conceived to be most suitable for logos, headlines and display design pieces as well as short length text blocks. Tuerca consists of 8 styles, each containing small caps and glyph coverage for several languages. Tuerca Tuerca

Designed by Ricardo Marcin and Erica Jung, Conversa is a hand display font family. This typeface has two styles and was published by PintassilgoPrints . Download Now Server 1 Download Now Server 2 Download Now Server 3 A laid-back family, Conversa fonts are available in two weights, both all-caps with alternate glyphs on lowercase slots. Choose your preferred alternates by hand or simply turn on the Open Type contextual alternates feature to make them automatically cycle. There are some ornaments too, for a little twist here and there. Conversa is a new take on ‘Outside In’ font, which is part of the ‘Outside’ font duo. Give it a try, easygoing-ness guaranteed! Conversa Conversa