Designed by Donald Tarallo and Alex Tarallo, FormPattern Color Six is a dingbat font family. This typeface has eleven styles and was published by Tarallo Design . Download FormPattern Color Six Fonts Family From Tarallo Design Use this font to make lines, borders, patterns, backgrounds, unique bullets, or use it inline within text. Let your imagination explore the possibilities to combine these geometric shapes. Use letter spacing to connect the shapes in a continuous pattern, or space them apart horizontally. Stack them vertically and control their distance with leading (line spacing). Make fields of pattern and explore layering and opacity for color mixing. FormPattern Color Six takes inspiration from mosaic patterns seen in the south of Italy. It is easier to use this font to make patterns than to use drawings because you can control the size, color, and spacing from the type menu. It is also an effective way to make web graphics that are responsive with te...
Designed by Mona Franz, Bridge Head is a display serif and serif font family. This typeface has eighteen styles and was published by TypeMates. Download Now Server 1 Download Now Server 2 Download Now Server 3 Bridge Head, an editorial rockstar to attract attention in large sizes with high contrast and expressive geometric counters. With three different widths in six weights, Bridge Head has the perfect voice for stunning titles. A solo career in posters, banners and logos doesn’t stop Bridge Head from rocking in concert: each of her 18 display styles can work together with Bridge Text to tell stories and build complex typographic ensembles in editorial and corporate design. Where other display typefaces let their thin strokes fade away, Bridge Head keeps the volume and emphasises her wedge serifs and curvy detailing. A large x-height brings out her distinctions, like the four-cornered counter shapes, the voluminous terminals and the monolinear lines that connect her thick strokes and...
Designed by Olcar Alcaide, Fractus is a blackletter font published by Eurotypo. Download Now Server 1 Download Now Server 2 Download Now Server 3 The requirements of Middle Ages scribes who copied and produced books in monasteries were fundamentally to preserve space, due to the high cost of the writing surface. During this long period of the development of Gothic forms, many other variations of the style of black letters appear: Textur or “Gothic-antique”, another group called Rotunda preferred by Italian and Spanish scribes. In 1490, the style “Bâtarde” (according to the the French classification) began to be widely used in Germany with more rounded shapes and named Scwabacher (probably derived from the city of Schwabach, but not certified). Fractur is a more condensed and narrower form than Schwabacher. This style is attributed to Johann Neudörfer of Nuremberg, cut in 15...